byChrisWhite-2025
Flash Fiction; the prompt word: The Orchard. Supposed to be 500 words or less, but I just couldn’t find a way to distill it further. At 800+ words, It was never submitted. So, it’s just for you.
The stove was old iron, black as a thunderhead and pocked from a lifetime of fire. It crouched in the corner like a protective uncle standing guard, and Merrick behind it, breathing quiet, leaning his shoulder into the cast-iron flank as though it were the last warm thing left in the world. The abandoned house whimpered under the weight of morning, a flour sack full of cash, fully counted in bundles of ten thousand, sealed in saran wrap. A child’s murmur, small and thin as a cat’s purr, came from the next room, and he turned his head a fraction to listen, to count that soft breathing as proof that something good still lived.
The kitchen windows burst open like the world had exploded. Then came the spat spat spat of bullets, faster than a man could count, shattering glass, blowing flowered curtains into confetti, and tearing through the walls with that splintering thock that meant the pine boards were bleeding into sawdust.
He smelled wood and cordite and the last supper’s lard still caking the pan.
Merrick cocked the hammer with a slowness that had nothing of age in it. His rifle was a lever-action, oiled and handled carefully, like it was some holy relic. He sighted through the hole he’d carved beside the stovepipe, and in the stuttered dawnlight he saw the white face of a boy in a uniform, crouched behind the fender of a county cruiser like he had someplace to get to after this murder was all done. The boy leaned to shout. No hesitation, Merrick’s shot found him in the mouth.
Merrick moved like a shadow through the smoke and plaster dust, rifle raised again, shoving open the back door with his boot and letting the second one come to him. An unusually fat man. Badge shining bright like a lie on his chest. They saw each other clean. The law shouted and stumbled, but Merrick shot. The man fell heavy back into the grass like he’d just remembered he had somewhere to sleep.
By the time he made it to the front room, he was breathing like a fire bellows, eyes burning. He had no plan, no high strategy. Just the weight of that child in the next room, the one he’d found two winters ago, blue-lipped and wailing in the wreck of a car he’d put the mother and father into himself with two clean shots and a whisper to the engine block. He’d meant to walk away. But the boy, naked as a peeled peach, bawling into the hush of snowfall, had reached out a hand. And Merrick, for reasons he never gave to God nor man, had taken it.
The boy is his now.
The third one came through the window. A shotgun barrel. Blind firing. He didn’t even see the deputy’s face. Just the spasm of flame and then the shriek of buckshot ricocheting off the stove. Something hot bit into Merrick’s cheek, his neck. The wall behind him bloomed yellow, then red. Shards of wood cut clean by hollow point bullets, rained into the room, each resembling tiny flowers of yellow pine and plaster, dropping to the floor all around.
Merrick stood. Shot once more. The barrel barked. The man dropped. Blood, hot from near-molten lead, dripped from Merrick’s face in heavy pearls of red onto the rifle’s receiver.
Then the storm answered.
A fusillade of fire erupted, like every cop in the county turned up for the slaying; the resume. Bullets hissed and sang and punched through the cabin in wild succession. One cracked the stove and spat iron like shrapnel to every corner of the room. Then another. The door behind him exploded into splinters.
He dropped to a knee. He was coughing blood into his long braided beard, trying to see. Trying to rise.
When the last round fell silent, there was only the ticking of cooling metal, the whisper of the stove’s death rattle, and a millpond of thick, red, gelled butchery.
They found him facedown in the hall, his hands empty. His blood had soaked into the pine floorboards, and the old boards drank the gore like they’d been waiting for this.
In the next room, the child was curled beneath a quilt stitched from feed sacks and the clothes of Merrick’s victims. He was quiet now. Big-eyed and blinking, clinging to the hand-stitched rabbit Merrick had sewn from a torn coat sleeve.
One of the officers, a tall, confident man with smoke still drifting off the heated barrel of his shotgun, walked in slow. He stared at the boy for a long time before bending down and lifting him up like a priest preparing for a christening. The child said nothing. He had seen this before.
In the yard, the bodies, five in all, were counted and zipped. No one spoke of the boy. Not in the report, not in the paper. They said Merrick died mad, a relic of Horse Mountain. They said nothing of the child. They said nothing of thier motives.
But the orchard behind the house re-wrought itself, a benefactress of the carnage, it bloomed that spring like it hadn’t in years, the trees drunken on the blood of men, the peaches fat as fists, sweet as sin.



Responses
Very nice.
LikeLiked by 1 person
Thank you!
LikeLiked by 1 person
This is so well written I felt like I was there watching it all. I really enjoyed reading it.
LikeLiked by 2 people
Thank you so much. I’m working on another that is shaping up, maybe the best I’ve done. Trying to get it done for the weekend. Maybe…
LikeLiked by 1 person
I will be looking forward to reading it.
LikeLiked by 1 person
Great detail. It’s the child who wins in this story. I wish I could emulate you.
LikeLiked by 1 person
Thank you, Warren. You always sell yourself short. Picture a classic scene from a novel or film, some scoundrel on the brink of well-earned comeuppance, and then, just as justice might lean in, toss in something utterly ridiculous. Something the brain can’t quite file under the “normal” folder. Then take some half-forgotten nouns, shine them up, and force them to play dress-up in a verbs outfit. And there you have it. Instant narrative chaos. Just add water and shake. It’s the Tang of writing.
LikeLiked by 1 person
Oh, do you make me laugh! I think I’ll make it even easier and go out and buy a blender!
LikeLiked by 1 person
There ya go. Blender is a noun, but would make a fine verb in the most gruesome of scenes.
LikeLiked by 1 person
but I don’t think I can be gruesome
LikeLiked by 1 person
Well, there’s that too. Perhaps the device of subtext will help. Don’t write gruesome, write the idea of it. That it might be lurking underneath something otherwise mundane. But without the promise of it.
LikeLiked by 1 person
Wow! That’s story was well written. So vivid. And hauntingly beautiful with the child and the rabbit. So much to unpack here. The power of the written word is on full display. Well done!
LikeLiked by 2 people
Thank you so much Merry. I really appreciate your kind support. Steer clear of those spiders.
LikeLike
haha! Doing my best. Husband brought in the mail with one of the Manila envelope Amazon packages. I haven’t touched it or tired to open it. I’m waiting until he gets tied of looking at it and opens it himself. Ha ha
LikeLiked by 1 person
Don’t blame ya’ a bit.
LikeLike
Very beautifull pic 👌
LikeLiked by 1 person
A tragic story. The power of an infant to soften the iron heart of a killer.
LikeLiked by 1 person
Hit the nail on the head Rosaliene.
LikeLiked by 1 person
A very vivid story. I could almost see the action. And of course, the mystery of the child was a good touch. Well-done!
LikeLiked by 1 person
Thanks Diana.
LikeLiked by 1 person
Really the taste of the lines are like having the honey straight from the beehive..
Amazing
LikeLiked by 1 person
Thank you Ram.
LikeLiked by 1 person
Thank you for taking a look at my site, it means a lot!!
LikeLiked by 1 person
You’re welcome.
LikeLiked by 1 person
Whew !the element of his care and concern for the wellbeing of the child drove this to cinematic heights! bravo my friend!
LikeLiked by 3 people
Thank you Violet. Can’t say what made me think to add it, just a fluke really. But I’m glad I did.
LikeLiked by 1 person