byChrisWhite – 2025
An original southern gothic scene from my imagination, set post Civil War. A bit too long to use for flash fiction contests. Hope you enjoy.
They drug Old Man Caraway through the dust like a feral hog caught in the coils of a plow mule’s chain, the men’s boots kicking up dead leaves and bloodstains so faint you’d swear the earth had absorbed them out of pure shame. I saw it all. We all did. Us boys up in the ash tree, legs dangling like hanged sinners, eyes wide and not yet ruined but near to it. There weren’t no sermon. No lawman to call it wrong. No mother to shield our eyes.
They’d been coming for him a long while. Maybe it started when that Jamison boy turned up shot in the back outside Robertson’s ginhouse, the blood drying in the red clay like rust in fire. Or maybe it started before that, when the drought stole all the corn, and the cattle began falling like flies to a wasting sickness that didn’t care which man had prayed harder. Or maybe hate was born with this land, thick as the red chiggers and no less persistent.
Old Man Caraway had been a sharecropper, a moonshiner; people say a brave fighter in the War Between the States. They said he carried a Minié ball in his hip like a lodestone, and that it hummed when he lay still too long. He had sons, all dead or gone to hell, and one boy they said was no boy at all but a wolf in trousers who gutted a man in Orchardville for smiling too long at his sister. That sister hung herself off the rafters of the Caraway barn when the summer went dry in ’81, leaving behind a diary no one could read for the water damage, but folks said it told of the doings inside that house. Doings that made God weep and dogs howl.
The Jamison’s didn’t forgive, didn’t forget. They gathered that night in the glow of a dozen lanterns swinging, real eerie like. Looked like a verdict dripping from them hackberry trees. Some were drunk. Some just wore the look of men too tired to be afraid anymore. My daddy among them. He didn’t raise his voice nor his hand, but he didn’t stop ’em either. He stood there, like a scarecrow carved from stone, quietist I ever seen him. And in his silence, I heard the sounds of something rotten.
They tied the rope with more care than I’d seen them give to any bride or newborn. It was the reverence that was so scary. The awful dignity of it. Old Man Caraway spat and cussed and called ‘em cowards, but his voice cracked halfway through, and after that he just looked up at the branches, blinking as if he could still see his daughter swinging there.
When they hoisted him, the branch didn’t crack, though it groaned like it was ashamed of all them men. The old man jerked and kicked in silence. No thrashing, no final words. Just the sound of leather tightening and a wind that hadn’t stirred all night choosing that moment to rise and stir up the oak leaves in a whirlwind. Something in me broke then, partly from horror, yeah, but also from the quiet of it all. How all them grown men didn’t cry or shout or even breathe loud. Just watched, their faces bathed in firelight like men watching a field burn, knowing it’ll take the next one too.
Afterward, we boys scattered, each to his own haunted corner. Me and Theodor and J.W. stayed behind. We sat beneath that old tree until morning yawned its sticky dew across the kudzu. Theodore said nothing but wept into his knees. J.W. swore he’d kill himself a Jamison one day, and I knew he meant it because his voice didn’t shake. But I just stared at the feet that still twitched in the dawn, like they hadn’t yet gotten the message that justice had been done, right or wrong.
We went home and no one spoke of it. Not that day, not that year. But I saw the men who’d been there, in church pews and cattle auctions, and across my family dinner table, and they all had something in their eyes that never left. Like blood on a butcher’s apron no amount of lye could wash.
I don’t remember my mama’s voice anymore, but I remember the rope. I remember the sound of it stretching. I remember the bark peeling as the body swung. And I remember being a boy and knowing, finally and forever, that there are things a man can’t unsee and still call himself whole.
And I remember thinking,
If there is a hell, it walks in boots, and tonight it came to Caraway Hollow.



Responses
As I started reading this, the song “Uncle Tom’s Cabin” by Warrant started playing in my head, and yes 80’s Hair-Metal is about the furthest thing from the tone of the story, I still couldn’t shake it.
While I haven’t heard of ‘flash fiction’ just yet, I found the story just a little too short, but not on the length. I would’ve like more of the stories focus on the ‘evil things’ the Caraway family had done. Maybe through dialogue between our two invisible observers. Maybe even a bit of back and forth of each other calling ‘Bullshit’ to compared stories, only for them to be caught of by the sound of the man finally being hanged.
All in all, this would’ve been a great scene as side part of, or along the main plot of, a larger story.
Oh…and the hanging of the royal cook scene in Stephen King’s The Gunslinger series. Can’t remember which book it was in.
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Thank you for your thoughtful and honest feedback. I hate that the story left you feeling shortchanged, both in length and in detail, but I genuinely appreciate your willingness to be candid. Insights like yours are invaluable to me. They serve as the litmus test for how I’m growing as a writer.
Flash fiction is a genre built on extreme brevity, usually under 500 words, which forces the writer to distill a story to its most essential elements. One of its defining features is subtext: the art of suggesting rather than explaining, inviting the reader to fill in the blanks and bring their own imagination into the story. When done well, it creates a sense of intimacy between the reader and the narrative.
That said, I actually went over the word limit by about two hundred words. I didn’t have the heart to trim it down any further, I’d grown attached to the characters. In hindsight, I may have tried to fit too much detail into too small a space, which made the story feel thin where it should have felt rich.
Sorry for the impromptu autopsy; I process out loud sometimes. But that’s why I share: to keep learning. I truly hope you’ll keep reading and sharing your thoughts. It means a lot. Thank you again.
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You gave me what I wasn’t allowed to know when it happened across the street from me when I was one of those boys. Now I know. Thanks, I think.
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Interesting…now I’m curious.
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Wow that was riveting. A moment like that would stick to me for the rest of my life too.
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Thanks Eden
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That was good. Well developed and atmospheric for such a short story.
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Thank you Danny! That’s encouraging.
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Wow, a story that will stay with a reader for a while. What is really powerful about it is the true of it…not the hanging but that some events are so profound that the memory never really leaves.
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What a kind thing to say Diana. I really appreciate you.
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as Sartre said “Hell is other people.”
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Great point.
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This is so good, thank you for subscribing to my blog – appreciate it.
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You’re welcome and thank you.
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Whew! That was wonderful! And I love your choice of POV- that really brought it home.
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Thank you Violet!
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